Peggy Ratusz – Living the life doing what she loves most

Peggy Ratusz – Living the life doing what she loves most

well established presence in the Asheville music scene since 2002, Jazz and Blues Chanteuse Peggy Ratusz performs an infectious, sultry, multi-layered brand of original, traditional and modern Blues, Soul and Jazz. While influences such as Ray Charles, Connie Evingson, Joan Osborne and Bonnie Raitt are evident, it can’t be denied that her unique style and voice are one of a kind. She and her backing bands are particularly impressive during live performances where audiences are warmed by the glow of her shine. Inspired by the rhythm, the melodies and content of the stories she tells, every drop of emotion is authentic and shows all who are present, that she’s a willing servant to the music she writes and covers.

For over forty years, opportunities have come her way that have landed her on television shows, radio, festival line ups, theaters, bars, restaurants, benefits, private events and showcases. She spent seven years based in Tucson, Arizona where she toured the West in a folk rock trio from 1979 to 1985. Audiences began to experience the richness, power and emotion of her voice evoking positive reviews and acclaim. In 1985 she moved to “the live music capital of the world ” a.k.a. Austin, Texas and stepped into the Blues pool fronting a 4-pc Chicago Blues style band called The Bootleggers. She performed at popular clubs in Austin such as The Steam Boat, The Black Cat Lounge, 311 Club, Babe’s and Maggie Mae’s. Throughout the 1990’s she was also a featured entertainer in show bands such as Hot Wax, Apollo Soul and The Copy Cats, covering Motown and Soul music from the 60’s and 70’s and 80’s.

In November of 2002, she moved to Western North Carolina and now makes her home in Fletcher. “Listening is the most important aspect about creating music people need to hear. It enables us to lift each other up as musicians on stage together, which in turn gives us the opportunity to fearlessly stretch ourselves beyond what we thought we were capable of doing.” The talented musicians, who share the stage with her, agree.

The 2000’s have been banner years for this still very young 62 year old singer and musician. An original track from her freshman CD, “Sexual High” was picked by Jomar Records and is featured on the compilation CD, National Women in Blues. Her live version of Memphis Slim’s I’m Lost Without You featuring Duane Simpson on acoustic guitar is on the 12th Volume of WNCW’s Crowd Around the Mic CD. She and her bands have been voted Best in Blues for 10 years, the last 4 in a row (2016-2019) and in 2008, 2010 and 2016, Peggy was a semi-finalist in the most prestigious Blues competition in the world, The International Blues Challenge held for the past 36 years in Memphis, TN.

In early 2010, Peggy officially released her sophomore album, Infused with the Blues which features 23 of Asheville’s best instrumentalists and vocalists. Kellin Watson, Paula Hanke, Ron Clearfield, Mike Barnes, River Guerguerian, Jonathan Scales, Rhoda Weaver, Duane Simpson, Joey Katkowski, Rob Geisler and more. All gifted musicians and singers, she calls friends. In 2011 she opened for the Tedeschi Trucks Band at the Spartanburg Memorial Auditorium. Ratusz has also shared the stage with or opened for The Beach Boys, Taj Mahal, Bernard Allison, Denise LaSalle, Candye Kane, Bob Margolin, Geff Achison, Kellin Watson and Shannon Whitworth.

She’s performed at The Bull Durham Blues Festival, Chattanooga’s Riverbend Festival, Carolina Blues Festival, Women In Blues Festival, End of Summer Blues Festival, The Green Swan Festival, Bele Chere and area venues such as The Orange Peel, Isis Restaurant & Music Hall, The Grey Eagle Music Hall, Ambrose West, Jack of the Wood, 5 Walnut and Tressa’s Downtown Jazz & Blues.

Women Who Made Music History Concerts, LLC is her latest endeavor, co-producing and co-starring with local vocalist, Paula Hanke. Since 2016, the pair has successfully aligned themselves within the Performing Arts circuit, garnered a booking agent out of NYC and are currently touring one of their shows, Love is a Rose, that celebrates super star, Linda Ronstadt. www.loveisaroselive.com

An advocate for area and touring musicians, she’s booked bands and singer-songwriters at area bars and restaurants including Jack of the Wood, The Block off Biltmore and Tressa’s Downtown Jazz & Blues. For two years, she hosted a bi-monthly Female Artist Spotlight Night at Tressa’s Jazz & Blues which were paid showcases for women artists of all genres from novice to professional. For several years, she was a teen band music mentor for several area youth bands and is now a volunteer at Girls Rock Asheville. For the past 15 years, Peggy has been a sought after vocal coach,
and her monthly feature, Women Making Music has graced the pages of  SOFIA.

Playin’ it forward is the philosophy by which she lives. To be lucky enough to make a living doing what she loves the most and does the best is not something this ruby throated Blues Mama, ever takes for granted.

Peggy Ratusz is a vocal coach,
song interpreter, and songwriter.

For vocal coaching email her at

[email protected]

Love Stories: Couples make sweet music together

Love Stories: Couples make sweet music together

By Peggy Ratusz

Since its Valentine’s month, I reached out to several area twosomes who make beautiful music together, both on and off stage.

Where and how they met

Nicole and Spiro Nicolopoulos (The Paper Crowns) met at a music store in California. Both instructors there, their relationship developed into a secret office romance. Multi-instrumentalist/songwriter, Eleanor Underhill’s (Underhill Rose) initial crush came and went, by the time she actually started dating guitarist/singer/songwriter Silas Durocher (Get Right Band). Drummer/percussionist Nancy Asch and pianist Beth Heinberg met in Boston 28 years ago. Their first encounter happened at an audition they both attended for a spot in a queer cabaret band. Nancy questioned Beth: ‘Can you commit?’ and that’s all she wrote. “We’re not entirely sure when we first met,” acknowledges cellist, singer-songwriter Melissa Hyman of The Moon & You, a duo she shares with husband, guitarist singer-songwriter, Ryan Furstenberg. Jazz musicians, Wendy Jones (vocals) and Rick Dilling (drums) met in 1991 but opposite trajectories prevented any true connection until 2010. Like Leigh Glass and Corey Bullman (guitarists/singer songwriters) of Devils in Dust, Wendy hired Rick to play drums for a recording and Leigh hired Corey to fill in on guitar for a show. Scintillating serendipity eventually ensued. Sometimes it’s musician friends who bring couples together. It was bassist Dave Mac that set romance in motion for parents of three boys, Marisa and Josh Blake. A drummer friend stoked the flame for two-year-old Eva’s mommy and daddy, who happen to be Nikki Talley and Jason Sharp.

Inspirations

The Nicolopoulos’s bonded over Jimi Hendrix. Both Strat players, they are drawn to his psychedelic sound and out of the box rhythm guitar artistry. “We constantly find ourselves inspired by the same artists,” says Dilling about him and Jones. They listen to recordings together and discuss what the other appreciates: vocal technique, feel, comping patterns or “the elusive sound of Tony Williams’ dang cymbals.” Wendy adds with a chuckle.” For Nancy and Beth? Joni Mitchell is their cat’s name, if that tells you anything. “We both dig her poetry, obviously, and Nancy has been obsessed with her since summer camp as a kid.”

Collaborations and Co-Writing

Eleanor and Silas collaborate together and with others. She says, “Anytime I’m collaborating, I’m more open and communicative and cautious of others feelings.” He says, “Collaborating brings certain things to the table: ideas or predilections, strengths and weaknesses that inspire me in different ways. It’s helpful to know what the final vision is, who’s in charge of steering the ship toward it. We are passionate about each other’s projects; but ultimately we respect the choice each one makes for their own art.” When Corey and Leigh co-write, “One of us has an idea for a song worked out. Then we work it together.” Leigh tends to be driven by lyrics and Corey pays attention to the arrangement. But for Melissa and Ryan, “It’s common for us to work out arrangements through experimentation onstage.” It’s important to them “to keep levity in our creative collaborations.” “I am the songwriter by default,” says Nikki Talley. “We arrange together so we know what each is hearing. Once we figure out the song skeleton we go to our separate corners and work out details appropriate for each tune.” Beth and Nancy “like to work with musicians who are good listeners, flexible and fun to be with.” Their co-creation with Beth’s sister Sarah Kim called The Honey Music Collective teams up talented female players and singers for showcases and dance party nights. Nicole and Spiro lift up the community indeed and in 2019 alone, hired 35 area musicians for their groups, Grateful Asheville Music Experience and the Very Jerry Band. Spiro says, “It keeps things fun and fresh to play with different people, oftentimes on the fly. Nicole looks “for people who appreciate working together and share a mutual respect.”

Touring and Delegating

Marisa Blake says, “I keep our family on schedule and Josh can fold some mean laundry. Our kids are lucky to have him as a father. He cares and he’s present.” Talley and Sharp say they don’t have time for burnout. “Being partners in all aspects of our lives 24/7 is tough. We unwind from the road when we come home to the mountains.” They split parenting duties, “Giving the other time to work on a song.” Seeing it through their daughter’s eyes has been a sweet, new perspective. Glass and Bullman admit, “We don’t always agree musically, but there is baseline trust in the other person’s vision. We make all decisions together (even though Corey says Leigh’s the boss and Leigh says Corey’s the boss.) For Wendy and Rick, “We check in with each other once a week over Sunday breakfast to confirm schedules. We’re a good fit.”

Special project

IamAvl is the brainchild of Josh Blake and is a platform that integrates video production, in-studio recording sessions (Echo Sessions) and live performances into one seamless channel for the creation of high-quality content. Established in 2012 (Marisa was pregnant with their youngest) with the intention to preserve, promote the growing music culture in WNC, which Josh noticed starting to take shape as a modern day cultural renaissance. Marisa joined the team a few years later. “My role revolves around Echo Sessions. I am the host, camera operator and facilitate hospitality. Josh manages daily operations, works with bands and venues getting live-streams and productions setup, and dreaming the endeavor into the future. IamAvl would be nothing without the crew that has been working for years to put the local scene
on the map.”

How it feels to perform together on stage

Hyman and Furstenberg say, “Our onstage partnership is a microcosm of the larger relationship; we get an intensive in communication, helping each shine even if it means getting out of the way.” Nicole proclaims, “There’s nothing more satisfying then playing together in an organic way where we’re both aware of our dynamic and can take the music to nuanced spaces.” Beth and Nancy gush, “It’s the best feeling in the world when the audience is right there with you. Sometimes that’s a crowd of nursing home residents; other times dancing fools in a crazy loud bar.” “We’ve been playing so long together that if feels completely natural,” explains Leigh Glass. “However, there are times when it gets mushy, particularly during an autobiographical tune we wrote together about falling in love.” Rick feels pride when he performs with Wendy. “I like observing the reaction of the audience when Wendy sings a ballad.” For Wendy, “He knows how to challenge me and make me sound good. What’s not to love?” Mrs. Blake comes clean, “If we are being honest with the lovers out there, it’s not always perfect. Josh and I butt heads sometimes when we are recording or if I am writing a tune and he makes a suggestion I don’t like. But in general, we both feel lucky to make art together.” Eleanor’s wise words, “One of the challenges about being in a relationship with another musician is that you’re always talking about your work. One of the best things about being in a relationship with another musician is that you’re always talking about your work.” Talley’s poignant perspective, “There are moments when I shut my eyes and let the music wash over me. It becomes more than a gig. It’s religion; knowing the sounds enchanting you are being made by your love, is beyond words.”

marisablake.com

iamavl.com

joshblakemusic.com

devilsindust.com

themoonandyou.com

wendyljonesmusic.com

nikkitalley.com

facebook.com/pg/honeymusiccollective/posts

thepapercrowns.com

Spotlight on Christine Breininger

Spotlight on Christine Breininger

By Peggy Ratusz

Where would we be without our local, live music lovers? Live music fans are cultural catalysts, for sure. Research says that those who attend concerts are generally happier and healthier people. In Asheville, there are a plethora of rosy-cheeked devotees who spread the word and plan their weekends around who is playing where. But, there is a queen among these enthusiasts, and I feel it’s time to shine a spotlight on the one and only, crazy and fabulous, mega advocate, Christine OntheScene!

You’re probably familiar, acquainted, or friends with the red-headed firecracker whose given name is Christine Breininger. If you haven’t met her, then be delightfully forewarned: sparks from her vivacious and exuberant personality will surely fly when you do.

That’s what happened to me 15 years ago when I first met Chris at a local pub in Hendersonville. A friend brought her in for dinner on a night that my blues band, The Daddy Longlegs was playing in the lounge. On our first break she approached me with urgency, calling out to me, “Hey! You are fabulous! Where did you come from? I’m so glad I came here tonight! I think we could be great friends!” With her infectious laugh and unabashed overture, I knew I’d just met a friend for life.

Christine deserves this recognition because she’s the type of super-fan that helps make livelihoods thrive. She epitomizes community cultural and arts patronage; namely, the live, local, music scene.

Hendersonville singer-songwriter, Eric Congdon christened her “Christine Onthe Scene” a few years back, inspired by her tireless and thoughtful, colorful posts on Facebook and Instagram that to this day consist of high praise for, and video snippets of bands and solo artist’s shows and gigs she attends as well as creative, grassroots marketing strategies she implements to promote upcoming events. Today she’s revered as the champion for musicians, bands and vocalists. Practically anyone who plays regularly in town knows they can count on Christine to cultivate a crowd. We shared a lovely conversation, and the gist of it consisted of the following questions:

Your championing of musicians, bands and singers from every genre and generation started how and why? “Eight years ago, my path began to shift. With the end of my marriage and an abrupt change in my fifteen year career as a math and science teacher, I simultaneously realized I needed a new start. After I moved here from Florida, I went into semi-retirement but knew I had to try new things to figure out what was next for me.

When I was a kid, all I liked to listen to was rock music. The night I met you at Cypress Cellar was the catalyst, reigniting a passion for music that lay dormant and lost in me since my teen years. I heard your style of music and it touched my soul. You introduced me to dozens of other musicians and it moved that something inside me that had long been put away. What with being in academia, a teacher, wife, and stepmother, I thought that was the path I’d always be on.

And yes, now I promote, support, and share my joy for many genres. My motivation to continue comes from a yearning to inspire more people to get up and get out so they can experience what I experience. If I can get one person to go to one show to hear one band, then I’ve done the community and my heart a good turn.”

Your reputation has garnered requests for collaborating. In particular, a new business called Asheville Explore Tours employs you as a part time music blogger. How did that happened?

“Former 98.1 radio Disc Jockey, Heather Hogsed mentioned me to the owner and operator of Asheville Explore Tours, Kristin Shelly. Heather graciously described me as ‘The Music Guru of Asheville’ and felt our alignment would enhance AET’s structure. The model for Kristin’s business is guided van tours where clients customize their trips to popular locations and events that interest them. When Kristin and I met, it was a passion for entertainment promotion that inspired the inclusion of my music blog on her website. The blog informs potential customers who together with Kristin, plan an evening’s music-related tour. Chauffeuring riders to concerts and music events within the city is an element to her business called, Music After Dark.”

Seems to me, it all began when you started taking tip jars around to collect gratuity for whatever act at whatever venue you were there to hear. You’re still doing it. What’s your secret when soliciting tips?

“For one thing, if a venue doesn’t allow a tip jar or someone to take a tip jar around, I respect it though I totally disagree with the practice of not allowing a band to have a tip jar. People can be shy or apprehensive about getting up and putting money in a tip jar. Those instances where it’s appropriate, I approach patrons with authentic spirit and my intention is not to intrude, but to share with them how a particular act is helping me feel right then, that night.  “What a band, right? Gosh I admire their expertise, don’t you? Can you believe this show is free (or can you believe you only paid $5) to hear this incredible music?” When the person drops money in the jar, I offer a hug or a kiss on the cheek and these days, if I forget a hug or a kiss on the cheek, they let me know it!” Like I always say, it’s all about love.”

facebook.com/christine.breininger.96?ref=br_rs

ashevilleexploretours.com/asheville
musicblog

Peggy Ratusz is a vocal coach, song interpreter, and songwriter. For vocal coaching email her at [email protected]

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